Making a workable clay body from local, fresh from the ground clay is a complex process. First, the raw clay needs to slake in a tub or barrel of water. This breaks the hard chunks of clay down, and with a little mixing, creates a thick slip. Next, the slip can the poured through a screen to captures large rocks, broken glass and any other debris that would interfere with the clay's functionality.
At this stage I add any other ingredients needed to strengthen the clay, make it more workable and help it vitrify (become glasslike and less porous) during the firing. I give it a good long mix with a big drill mixer attachment to make sure everything is as evenly combined as possible. Then, with the help of a sump pump I transfer the slip to drying racks, lined with old sheets, to harden into a workable consistency.
I primarily make pots by throwing them on a treadle wheel. I love the quiet sound of this leg-powered tool, and the subtle control I have over it with every wheel rotation. Wood firing has always been my favorite way of firing pots. It is another way to interact with my surrounding environment through my craft, and allows me to feel more involved in the firing process than if gas or electric was my main heat source.